Master of Fine Arts, Cranbrook Academy of Art

Bachelor of Fine Arts with distinction, California College of the Arts

Visual Artist Fellowship and Residency, Camargo Foundation,

Cassis, France

Individual Artist Grant, Illinois Arts Council

US/France Visual Artist Residency, La Napoule Art Foundation,

La Napoule, France

Margaret Hall Silva Foundation, for in code exhibition, Grand Arts, Kansas City, Missouri

Individual Artist Fellowships, National Endowment for the Arts

Jane Lackey: frontiers , Roy Boyd Gallery, Chicago, Illinois

map room , Lemberg Gallery, Ferndale, Michigan

interior particular , Oakland University Art Gallery, Rochester, Michigan
scraps, swabs, blots, smears , Mott Fine Arts Gallery, Flint, Michigan

sending/receiving , Roy Boyd Gallery, Chicago Illinois

Jane Lackey , Dolphin Gallery, Kansas City, Missouri
Jane Lackey/Joan Livingstone , Roy Boyd Gallery, Chicago, Illinois

archive , Cranbrook Art Museum, Bloomfield Hills, Michigan

in code , Grand Arts, Kansas City, Missouri

Jane Lackey : Recent Works, I Space, Chicago, Illinois
Recent Works : Jane Lackey, Warren Seelig, Gallery of Art, Johnson
County Community College, Overland Park, Kansas

Material Evidence: Phenomenology of Matter, Beach Museum, Manhattan, Kansas

Gendered Space/s, Loranger Art & Architecture Center, U of Detroit Mercy, Detroit, Michigan

Connecting with Contemporary Sculpture, Museum of Art and Archaeology, U of Missouri, Columbia, Missouri

The Book Borrowers, Bellevue Arts Museum, Bellevue, Washington

Form as Content, The Book as Object in Art and Design, Cranbrook Art Museum, Bloomfield Hills, Michigan

Small Treasures , Lemberg Gallery, Ferndale, Michigan

The Inland See , Richmond Art Center, Kalamazoo, Michigan
Hot House , Cranbrook Art Museum, Bloomfield Hills, Michigan
One more thing added to the world: the Borges effect in contemporary
artist’s books , Borges Center, University of Iowa, Iowa City, Iowa
Medicine Now , Wellcome Collection, The Wellcome Trust, London, UK

Marking Boundaries , Braunstein/Quay, San Francisco, California

PAGES , I Space, Chicago, Illinois
Textile/Future Expression , Contemporary Art Space, Osaka, Japan
Material Inquiry 2005 , Macalester College Art Gallery,
St. Paul, Minnesota

The Bones of Clouds: Some Recent Experiences of Chance , Center
Galleries, Detroit, Michigan

Paradise Now , Tang Teaching Museum and Art Gallery, Saratoga
Springs, New York
Exit Art , New York, New York (2000)
On Language: Text and Beyond , Center Galleries, Detroit, Michigan

Remnants of Memory , Asheville Art Museum, Asheville, North Carolina

The Map as Art, Contemporary Artists Explore Cartography, Katharine Harmon, Princeton Architectural Press, New York 

The Book Borrowers, exhibition catalogue, Bellevue Arts Museum, Bellevue, Washington

Hot House, Expanding the Field of Fiber at Cranbrook , 1970-2007,

exhibition catalogue, Cranbrook Art Museum, essays by Jane Lackey

and others

Art & Biotechnologies , 2nd edition, DVD-Rom anthology, included with

book of essays, Presse de L’Universite’ Du Quebec

Interior Particular , exhibition catalogue, Oakland University Art Gallery, Rochester, Michigan, essay by Dick Goody

Portfolio Collection 15: Jane Lackey (monograph), Telos Art Publishing, Winchester, England, intro by Irene Hoffman, essay by Helga Paakasar

Art Tomorrow , Edward Lucie-Smith, Editions Pierre Terrail, Paris, France

Paradise Now: Picturing the Genetic Revolution , exhibition catalogue,

Tang Teaching Museum, edited by Ian Berry, D.A.P. New York

American Craft, Hot House: Expanding the Field of Fiber at Cranbrook , 1997-2007, Natalie Haddad, Oct/Nov, Vol. 67, pp. 72-76
Metrotimes , Get Fresh, Laura Semivan, July 4 

Chicago Tribune , Jane Lackey : frontiers, Fred Camper, Dec. 16, p.25
Metrotimes , map room, Gerry Craig, Sept. 28-Oct. 4, p.32

Art in America , Review, Lynn Crawford, December 2004

ARTnews , Review, John Brunetti, April 2003

Chicago Tribune , Review, Lisa Stein, December 13

Surface Design Journal , Waiting, She Missed Nothing, Gerry Craig, Winter Metrotimes, Seeing in Tongues, George Tysh, April 11-17

The New Yorker , DNART, Peter Schjeldahl, October 2

Kansas City Star , Our Language, Our Selves, Kate Hackman, September 29

New Art Examiner , Jane Lackey/ Joan Livingstone, Jenni Sorkin, Vol. 27, no.10,

Detroit Free Press , Review, Keri Guten Cohen, April 5

Chicago Reader , Lost in a Sea of Shapes, Fred Camper, September 19

Surface Design Journal , A Phenomenology of Dirt, William Easton, Spring

Stowers Institute for Medical Research, Kansas City, Missouri

SCAD, Lecturer and Visiting Artist, Savannah, Georgia

Lecture Series, Bellevue Arts Museum, Bellevue, Washington

Friends of Modern Art Lecture Series, Detroit Institute of the Arts

Art Now Lecture Series , University of Western Ontario, London, Canada

Cleveland Institute of the Arts, Cleveland, Ohio

California College of the Arts, Oakland, California

University of the Arts, Philadelphia, Pennsylvania

University of Illinois, Urbana-Champaign, Illinois

Smoke and Mirrors, Materializing Language Lecture Series / Visiting Artist, The School of the Art Institute of Chicago, Illinois

Dong-A University, Pusan, South Korea
Seoul City University, Seoul, South Korea
Hong Ik University, Seoul, South Korea

Artist-in-Residence, Head of Fiber Department, Cranbrook Academy of Art

Professor/Department Chair, Fiber Department, Kansas City Art Institute

Anderson Ranch, Snowmass, Colorado, Summer Faculty

OCAC, Portland, Oregon, Visiting Faculty

Haystack, Deer Isle, Maine

Pratt Fine Art Center, Seattle,Washington

California College of the Arts, San Francisco, Graduate level “Lab”, Spring

University of Washington, Seattle, Extension Course, Winter

Vermont College, Montpelier, MFA Visual Art Program, Regional Artist Advisor

Maine College of Art, Portland, MFA Studio Arts Program, Visiting Faculty