When viewing my work, people immediately comment on the use of circuitry that is both envisioned in the drawing and incorporated into the installation of the artwork. My work depicts interconnected relationships condensed to map-like material surfaces. Naturally, physical movement is coupled with viewing as one progresses through an installation moving closer, bending, turning, circulating, looking at detail and making comparisons.

Our bio-system reverberates this repeating circulatory paradigm. Our inner systems are magnified and reflected in the exterior built world and within inner-connections between people and actions. Whether we engage socially in situ or link up through virtual communication, discussions, conversations and actions move between us invisibly forming glue ---a short lived genetic bond prompted by a synaptic charge. To lock and unlock these bonds in mapped visual relationships, I use tape, stickers, dots, labels and stitches of thread that are easily adhered to or released from larger fields of paper as they mark direction and place. I use processes selectively in hybrid combinations existing comfortably between painting, drawing and sewing. The work exerts a certain necessity and I respond with a range of practiced skills and innovation. Over the past ten years, language, short-term networks of people, conversations and political actions have been conceptual subjects for mapping. Each becomes a schema of imagined space involving interaction, entanglement, memory and contemplation. My installations of these works are both large scale and intimate. Works are embedded in the walls, placed into special sized rooms or opened and unfolded by hand. My audiences can engage and delve into intimate detail while developing their own non-hierarchical narratives of space and time.